Unrelieved Responsibility & Permanent Distraction


The Writing of Danny Goodman

“My circumstances of unrelieved responsibility and permanent distraction necessitated the short story form." ~ Raymond Carver

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It’s a cozy nook, really, but Ludvig is packed with everything I need, save for coffee: Smith Corona (best birthday gift ever, from LB), notebook, sexy pens, Star Wars poster, mini Superman and Green Lantern, squeaky shark, friendly fox-bandit, and Endymion.

And, just out of view above the lamp is a quote from Eugene O’Neill’s Long Day’s Journey Into Night, serving as title/inspiration for my novel-in-progress:

“We’ve loved each other! We always will! Let’s remember only that, and not try to understand what we cannot understand, or help things that cannot be helped—the things life has done to us we cannot excuse or explain.”

This is where I write.

(Not pictured: writing on the subway, in a coffee shop, in bed.)

An excerpt from my essay, “Angles of Response to Your Angles, or Brief Reflections on Tennis, Sharks, and the Loss of David Foster Wallace,” to celebrate what would have been David Foster Wallace’s fiftieth birthday.

“The goosebumps still came, despite having read that passage at least a dozen times before. Wallace had memorized the facts, the numbers; it seemed, however, even within those statistics, that Wallace had also categorized the panic, loss, horror brought on by that historic event. And, within the pages of his essay, Wallace found the words to bring to life, not only the fear, but also the interminable beauty moving, fast and determined, like a Great White shark just below the surface. He was capable, at all times, of noticing the fin breaking through the cresting waves.”

A special giveaway, just for liking my Facebook author page!

Beginning today, head over to my Facebook author page and give me a Like. Share it with your friends (but only if you really mean it). Make me smile.

At each 100 person milestone (it’s at 81 at the time of this post), I will choose one person at random and send them a special gift! 

For the giveaway, I have four copies of Mixer Publishing’s gorgeous anthology, of Love & Death, and one copy of Found Press’ 2011 anthology, FPQ 2011: The Complete Collection (available as an ePub or Mobi).

About of Love & Death, which contains my short stories “Cloisters” and “Based on True Events”:

of Love & Death features award-winning writers Kate Braverman, Kirstin Allio, Myfanwy Collins, Tom Bonfiglio, Danny Goodman, Sam Decker, Daniel Grandbois, and many, many more. Structured in three parts, the anthology first explores the joy and pain of early relationships, then marriage, and finally family. of Love & Death is subtle, profane, tragic, lewd, thrilling, insightful, sad, provocative, painful, hilarious, insane, occasionally murderous, and authentically powerful—capturing the beauty and ugly of real life in all its variations. Fifteen stories in three parts—a rare thematically structured anthology that can be read as a composite novel of life.

About FPQ 2011: The Complete Collection, which contains my novella “Somehow There Was More Here”:

Found Press Quarterly 2011: The Complete Collection contains sixteen exceptional stories that were hand-picked by the Found Press staff and originally published in the four collections released throughout 2011. With a stunning range of voices, the unforgettable narratives included in this anthology will take you on a journey around the world, and pull you from one end of the emotional spectrum to the other.

Please head on over to my Facebook author page, give me a Like, say hello—I have five brilliant anthology copies to give away, so let’s make it to 500!

I took a sip of Delirium and told Josh he was a pussy. The cold of the bottle made my bottom lip numb. As the wind picked up, tossing all manner of garbage and particles into the air, the softball diamond became a swirl of infield dirt, a perfect aestival tornado. I was sweating, and I could smell myself something fierce, though Josh didn’t seem to notice. He went on about Maddie and how he’d lost her and what a fucking idiot he’d been: it was there, and then it was gone, he kept saying. He said it, over and over, like a fucking mantra, as if the words made the sentiment real. It’s all in your head, I told him. He shook me off and repeated the words. He was wrong about some things. I nodded and finished my beer. 

            “Thanks, douchebag,” Josh said. He grabbed the bottle and tossed it into a trash can. “Why do I even bother?”

            “Because, rock star,” I said, slipping an American Spirit between my lips, “nobody else gives two shits.” I cracked a smile and slapped him on the back.

            “You’re a real fuck, Ben,” Josh said. He picked up a Louisville Slugger that belonged to our teammate, Canadian Jay, whose wife had recently used it to bash in somebody’s windshield at the A&P, and smacked the aluminum against the bench. The vibrations settled at the tips of my fingers.

            Josh walked towards home plate and shielded his eyes.

            “Oh, come on,” I yelled, “you know you love me.”

            I blew him a kiss, and he gave me the finger. Cigarette smoke filled my lungs and paralyzed everything. For a moment I was distracted from the repetition of the game by thoughts of a recurring dream I’d been having for weeksone I couldn’t shake. I considered telling Josh, about the woman and her voice and how I woke up, each time, gasping for air. But he was in no state for such things, not right now.

            The ping of softball against bat echoed through McCarren Park. I imagined, somewhere in Manhattan, Josh’s wife Maddie heard the sound and missed her husband. I hoped, anyway. She’d been staying at her sister’s in Locust Valley, but that situation proved worse than her own home. I got a call from her a few weeks back, asking if I knew of any places she could stay in the city; it was curious, her calling me. She had plenty of friends. She never asked about Josh, but I could tell she wanted to. When she wondered what I’d been up to, I simply said, “Work. And fucking. You know.” There was the faint sound of a laugh on her end. I wanted to comfort her, bridge whatever canyon had formed between her and Josh. It didn’t feel like my place, though. I promised to call my cousin, a night manager at the Chelsea Lodge, and arrange for an extended-stay room. Maddie thanked me. I thought she would hang up then, but she didn’t. Instead, there was silence, breathing, then, “Don’t tell him where I am, okay? Not yet.” The line went dead before I could respond.

            Josh and Maddie gave me hope. This was nothing I could tell him, though, being as emotionally stunted as he was. Sure, they fought. Unendingly, it seemed. And they never said the things that people should say when what they say means something. But when they looked at one anotherwhen I caught them in the kitchen cooking dinner and forgetting I was therethey were incredible. Josh would touch Maddie’s fingers, right at the tips, with his own. She would turn back to him and kiss the edge of his nose. There was more there than either would ever say aloud. This was nothing I could tell Josh.

             Instead, we played softball. I listened until the ball settled into leather and the field cleared and all that was left was Josh, alone at home plate, and a swirl of burgundy earth mixed with scraps left by those who had just passed through. It was a hot Brooklyn summer. There seemed to be no end in sight.


(To read the rest of “Somehow There Was More Here,” head to Found Press.)

He sipped coffee and remembered beginnings.
Andre’s dog, Gary Carter, barked incessantly until a neighbor came to the door.
from the short story, “Based on True Events
The short story and the drama have this in common—that there are certain subjects that are necessarily bad, so that one must give more attention to the subject and less to the treatment. The story, like the play, must have the element of immediacy, the theme must plummet to the bottom of the mind. A character is not enough…an atmosphere is not enough…for the audience falls asleep. It must have a coherent action. When the curtain falls everything must be changed. An iron bar must have been bent and been seen to be bent.
Frank O’Connor, The Lonely Voice

“You’re the only person I know who gets depressed when he realizes that he’s in love with his wife.” Ben started to run again, then immediately turned back to Josh. “You look at other women, and you want Maddie. I might just fucking kill you right now.”

Josh looked at his friend and laughed. He wasn’t sure where the laugh had come from, but it was there. Flooding out. Ben leaned in and slapped Josh lightly on his face.

“I just want the good, Ben. I want the good.” Josh slumped onto the grass, which was cold as day turned to night.

Ben reached into his knee-high sock and pulled out a pack of American Spirits. He lit one and stared down at Josh.

“The good’s there, man. Right in front of you,” Ben said, taking nicotine into his lungs.

Finally got a moment to read [Danny Goodman’s] DFW piece in Specter Literary Magazine. It is great and there are footnotes.
Sarah Flynn, via Twitter, saying one of the kindest things a person could say about my nonfiction piece

I wrote a nonfiction piece about tennis, sharks, and David Foster Wallace. Specter Literary Magazine, one of my favorite literary journals, who got a sweet shout-out in a recent The Millions article, was kind enough to publish it. 

I’d love for you to read it. Then, if you really like it, maybe you could share it. That would be delightful.

“Angles of Response to Your Angles, or Brief Reflections on Tennis, Sharks, and the Loss of David Foster Wallace,” published in Specter Literary Magazine

(An early version of this essay was the recipient of the 2009 Samuel Mockbee Award in Nonfiction.)

I’ve always loved both writing and editing… I think the two are a wonderful, hateful marriage.
from “Rocking Waffles with Danny Goodman,” in Art Faccia

Some love for my short story, “Based on True Events,” published by Mixer

(Find “Based on True Events” as part of The Andre Stories.)

An Epiphany, while attending a Sunday morning literary festival:

Who writes novels? Writers who sit down, pen to paper, fingers to keys, and write a damn novel.

Need. To. Write.

Excuses and ridiculous schedules do not write novels.

Originally published in Specter Literary Magazine, my review of Emma Straub’s Other People We Married, re-released this week by Riverhead Books.

Other People We Married showcases twelve finely-tuned stories, some with linked characters, others standalone. Many—most notably Laura and Stephen from the aforementioned “Puttanesca”—are battling the collision of external and internal friction, but it is Straub’s use of genuineness and humor to cut the suffocating tension of these characters’ lives that really makes them stick to the reader’s bones. From young Greta in “Abraham’s Enchanted Forest” to Sophie in the novella-length “Fly-Over State” (originally published by FlatmanCrooked), Straub’s characters long for the search, the finding, the Wanderlust of daily existence.

(Straub will read from the collection on March 8, 2012, at Upstairs at the Square.)