When I crossed Washington Street, the wind from New Jersey refreshed me. I saw Maddie, reading along the water. It was strange to see her without Josh; I’d always believed they were one inextricable unit, that nothing short of an apocalypse could separate them; even then, though, a zombie apocalypse wouldn’t work, because they’d certainly continue on in their mutually-undead states, hunting and consuming brains as if it were nothing short of normal.

from the novella, “Somehow There Was More Here,” published by Found Press

from the novella, “Somehow There Was More Here”

Three in the morning. I knew because the numbers on my clock shined brighter than the streetlights, those beacons keeping the city awake. I barely slept. It didn’t matter how hushed things were, how still; in fact, the quiet seemed to worsen my restlessness. I’d been sleeping on a twin-sized bed for a while now, but I still wasn’t used to it. A few nights back, I rolled right off and ended up with my head shoved in the closet door. Good times. It was a choice I’d made, though, the bed. Josh thought it was ridiculous, going as far as to sermonize me on the benefits of a proper mattress. He seemed inordinately preoccupied with my back health. I had tossed my old king-sized mattress out during a Jerry Maguire-esque breakthrough. Or breakdown. Not sure which. There was just too much room in that bed.

In the living room, I opened a window and smoked a cigarette. The summer heat was unforgiving, sticky, even in the middle of the night, and the cool apartment air escaped alongside the smoke. Without provocation, I thought of Ashley. These nights occasionally brought me back to her, and it drove me mad. No explanation. She was just a good fuck. I took a long drag and repeated the sentiment in my head. That’s all she was. Then she was gone. I turned on music in an effort to stop thinking. I flicked the finished cigarette out the window and imagined its smack against the quiet street.

(To read more of “Somehow There Was More Here,” stop by here.)

New Interview Posted!

Over in the Interviews section, I’ve posted a new interview: Five Questions with Danny Goodman, from Found Press regarding my novella “Somehow There Was More Here.” Check it out!

BJI: Your story feels very much like a ‘New York City’ story – that is, it wouldn’t feel quite the same if it was set anywhere else. Why do you suppose that is? Was this something you consciously tried to evoke?

DG: Ben and this cast of characters embody a lot of New York City for me. It’s fucked up and beautiful and destructive and resurrecting, this city, and I believe Ben feeds off this energy.

I finished the first quarter of the [Found Press] collection. I really liked ‘Somehow There Was More Here.’ Made me verklemmt.

from Kelvin Kong, on reading FPQ 2011: The Complete Collection (which you could win just by Liking my Facebook author page) and my novella, “Somehow There Was More Here.” 

(Danny does happy dance, eats slice of pizza in celebration)

An excerpt from my novella, "Somehow There Was More Here," up at Fictionaut

The opening section of my novella, “Somehow There Was More Here,” is up at Fictionaut for your reading pleasure. 

To read the novella in its entirety, head over to Found Press and grab it for your Kindle, Nook, Kobo, or other mobile reading device, for only $0.99.

Some kind words, from Scotiabank Giller Prize-winning author Joseph Boyden, on my novella:

“Danny Goodman is very special indeed. When you’re ready to scream about the shallow fields sown in contemporary, urban, hipster fiction, along comes Danny, who is himself contemporary, urban, and, thank god, an old soul, one who can actually capture and crystallize the modern experience.” 

“Somehow There Was More Here”: An Excerpt from the Novella

I took a sip of Delirium and told Josh he was a pussy. The cold of the bottle made my bottom lip numb. As the wind picked up, tossing all manner of garbage and particles into the air, the softball diamond became a swirl of infield dirt, a perfect aestival tornado. I was sweating, and I could smell myself something fierce, though Josh didn’t seem to notice. He went on about Maddie and how he’d lost her and what a fucking idiot he’d been: it was there, and then it was gone, he kept saying. He said it, over and over, like a fucking mantra, as if the words made the sentiment real. It’s all in your head, I told him. He shook me off and repeated the words. He was wrong about some things. I nodded and finished my beer. 

            “Thanks, douchebag,” Josh said. He grabbed the bottle and tossed it into a trash can. “Why do I even bother?”

            “Because, rock star,” I said, slipping an American Spirit between my lips, “nobody else gives two shits.” I cracked a smile and slapped him on the back.

            “You’re a real fuck, Ben,” Josh said. He picked up a Louisville Slugger that belonged to our teammate, Canadian Jay, whose wife had recently used it to bash in somebody’s windshield at the A&P, and smacked the aluminum against the bench. The vibrations settled at the tips of my fingers.

            Josh walked towards home plate and shielded his eyes.

            “Oh, come on,” I yelled, “you know you love me.”

            I blew him a kiss, and he gave me the finger. Cigarette smoke filled my lungs and paralyzed everything. For a moment I was distracted from the repetition of the game by thoughts of a recurring dream I’d been having for weeksone I couldn’t shake. I considered telling Josh, about the woman and her voice and how I woke up, each time, gasping for air. But he was in no state for such things, not right now.

            The ping of softball against bat echoed through McCarren Park. I imagined, somewhere in Manhattan, Josh’s wife Maddie heard the sound and missed her husband. I hoped, anyway. She’d been staying at her sister’s in Locust Valley, but that situation proved worse than her own home. I got a call from her a few weeks back, asking if I knew of any places she could stay in the city; it was curious, her calling me. She had plenty of friends. She never asked about Josh, but I could tell she wanted to. When she wondered what I’d been up to, I simply said, “Work. And fucking. You know.” There was the faint sound of a laugh on her end. I wanted to comfort her, bridge whatever canyon had formed between her and Josh. It didn’t feel like my place, though. I promised to call my cousin, a night manager at the Chelsea Lodge, and arrange for an extended-stay room. Maddie thanked me. I thought she would hang up then, but she didn’t. Instead, there was silence, breathing, then, “Don’t tell him where I am, okay? Not yet.” The line went dead before I could respond.

            Josh and Maddie gave me hope. This was nothing I could tell him, though, being as emotionally stunted as he was. Sure, they fought. Unendingly, it seemed. And they never said the things that people should say when what they say means something. But when they looked at one anotherwhen I caught them in the kitchen cooking dinner and forgetting I was therethey were incredible. Josh would touch Maddie’s fingers, right at the tips, with his own. She would turn back to him and kiss the edge of his nose. There was more there than either would ever say aloud. This was nothing I could tell Josh.

             Instead, we played softball. I listened until the ball settled into leather and the field cleared and all that was left was Josh, alone at home plate, and a swirl of burgundy earth mixed with scraps left by those who had just passed through. It was a hot Brooklyn summer. There seemed to be no end in sight.


(To read the rest of “Somehow There Was More Here,” head to Found Press.)

Five Questions with Danny Goodman

The delightful Bryan Jay Ibeas, editor of Found Press, asked me about the background for my short novella, "Somehow There Was More Here." Answers range from a discussion of New York City, to Stars, Nada Surf, and Joss Whedon. That's right, it has it all.

BJI:Is there any particular inspiration for Somehow There Was More Here?

DG:These characters appear in several other stories in my collection, and through those pieces, hopefully, this pseudo-family goes through changes, both positive and negative. With this story, I wanted to bring all of them together one last time and let each of them make sense of things. (They’re all coming back in the novel, though, so the adventure continues…)

BJI:Your story feels very much like a ‘New York City’ story – that is, it wouldn’t feel quite the same if it was set anywhere else. Why do you suppose that is? Was this something you consciously tried to evoke?

DG:Ben and this cast of characters embody a lot of New York City for me. It’s fucked up and beautiful and destructive and resurrecting, this city, and I believe Ben feeds off this energy.

BJI:There’s one sequence in the story that was inspired by a pretty darn good song. Do you listen to music a lot when you write? If so, what’s on your playlist?

DG:The song had a lot to do with inspiring this story, with Ben’s fear of moving forward. Music, yes, is always present in my writing; within the short story collection, there are pieces inspired, heavily or otherwise, by songs from Nada Surf, Stars, The Verve Pipe, Death Cab for Cutie, The Beatles, Kelcy Mae, and Simon and Garfunkel, amongst many others. (Television, too, plays a large role, most notably the delightful works of Chris Carter and Joss Whedon.)

New York is merely a reflection of her residents. When the city is raw and uncontrollable, indecisive and manic, so too are the lives of the bankers, the bus drivers, the bagel makers. City and citizen as mirror images: Goodman understands this well. Perhaps too well.

from “New York, I love you” by Kurt Wong, a response to my short novella, “Somehow There Was More Here,” published by Found Press
The lovely Paper Darts asked me some swell questions when they published my short story, “Greenpoint.” 
(For those interested, “Greenpoint” focuses on the same characters as, prior to the events of, my short novella “Somehow There Was More Here,” now available in Found Press’ 2011 collected anthology. Writing boosh!) High-res

The lovely Paper Darts asked me some swell questions when they published my short story, “Greenpoint.” 

(For those interested, “Greenpoint” focuses on the same characters as, prior to the events of, my short novella “Somehow There Was More Here,” now available in Found Press’ 2011 collected anthology. Writing boosh!)

Found Press, a literary journal that I am deeply in love with, has just released their four issues from 2011 in one collected, gorgeous anthology. Included in this collection is my short novella, “Somehow There Was More Here,” whose characters round out the cast of my in-progress novel. Stop by, please enjoy, and share!

Found Press Quarterly 2011: The Complete Collection contains sixteen exceptional stories that were hand-picked by the Found Press staff and originally published in the four collections released throughout 2011. With a stunning range of voices, the unforgettable narratives included in this anthology will take you on a journey around the world, and pull you from one end of the emotional spectrum to the other. Featuring stories by Caroline Adderson, Meghan Rose Allen, Jack Bootle, Julie Dupuis, Cynthia Flood, Andrew Forbes, Danny Goodman, Pauline Holdstock,Lee Kvern, Kirsty Logan, Dave Margoshes, Don McLellan, Maria Meindl,Grace O’Connell, Richard Rosenbaum, and Lana Storey. 

Found Press, a literary journal that I am deeply in love with, has just released their four issues from 2011 in one collected, gorgeous anthology. Included in this collection is my short novella, “Somehow There Was More Here,” whose characters round out the cast of my in-progress novel. Stop by, please enjoy, and share!

Found Press Quarterly 2011: The Complete Collection contains sixteen exceptional stories that were hand-picked by the Found Press staff and originally published in the four collections released throughout 2011. With a stunning range of voices, the unforgettable narratives included in this anthology will take you on a journey around the world, and pull you from one end of the emotional spectrum to the other. 

Featuring stories by Caroline AddersonMeghan Rose AllenJack BootleJulie DupuisCynthia FloodAndrew ForbesDanny GoodmanPauline Holdstock,Lee KvernKirsty LoganDave MargoshesDon McLellanMaria Meindl,Grace O’ConnellRichard Rosenbaum, and Lana Storey

“I hated melancholy, the way it could fester in a room and turn everything pale. There was nothing left to say, I thought, not today. It was then that Canadian Jay once again stood up, this time on a chair, and declared peameal bacon the greatest Canadian export since Alan Thicke.”

Danny Goodman, “Somehow There Was More Here”

“Danny Goodman is very special indeed. When you’re ready to scream about the shallow fields sown in contemporary, urban, hipster fiction, along comes Danny, who is himself contemporary, urban, and, thank god, an old soul, one who can actually capture and crystallize the modern experience.” — Joseph Boyden, author of the 2008 Scotiabank Giller Prize–winning novel Through Black Spruce 

“I hated melancholy, the way it could fester in a room and turn everything pale. There was nothing left to say, I thought, not today. It was then that Canadian Jay once again stood up, this time on a chair, and declared peameal bacon the greatest Canadian export since Alan Thicke.”

Danny Goodman, “Somehow There Was More Here

“Danny Goodman is very special indeed. When you’re ready to scream about the shallow fields sown in contemporary, urban, hipster fiction, along comes Danny, who is himself contemporary, urban, and, thank god, an old soul, one who can actually capture and crystallize the modern experience.” — Joseph Boyden, author of the 2008 Scotiabank Giller Prize–winning novel Through Black Spruce